I am a composer and audio creator with a background in classical piano and contemporary music production. My musical journey began with classical piano training, which later led me to explore modern composition and music production.
During my undergraduate studies at Xinghai Conservatory of Music, I developed a strong interest in music production and contemporary creative practice. I later continued my studies at the University for the Creative Arts, where I focused on Composition for Screen, deepening my understanding of film scoring and narrative-driven music. I am currently studying Composition for Film and Television at the University of Bristol, continuing to develop my work in music for visual media.
My creative process often begins with the story or visual narrative behind a project. I like to establish thematic motifs based on the core narrative idea, allowing the music to evolve while maintaining a clear identity and structural coherence.
In my work, I place strong emphasis on storytelling through music, followed by atmosphere and emotional expression. These elements are always shaped in response to the needs of the project and the vision of the director or creative team.
Rather than relying solely on traditional orchestral approaches, I am interested in exploring broader musical possibilities, combining narrative thinking with experimental sounds and new sonic textures.
I enjoy collaborating closely with directors and creators through open discussion, exchanging ideas and exploring different creative directions together.
My work spans games, film, media projects, ambient music and experimental sound, always seeking new ways to express narrative through music and sound.
Outside of work, I enjoy playing games, travelling, exploring new places, or simply spending time in the city — having coffee, chatting with friends, going to gigs or visiting exhibitions. These everyday experiences often become small sources of inspiration for my creative work.
For me, creativity is closely connected to personal expression. Even when a collaboration starts from simple conversations and sharing ideas, it can already be a meaningful and inspiring process.
And occasionally, my cat appears in the studio as a quiet companion during long composing sessions.