ABOUT

About Me

I am a composer for film, television, and visual media, with a background in classical piano and contemporary music production.

My musical training began with classical piano, which later expanded into music production and screen composition. I studied at Xinghai Conservatory of Music, where I developed my foundation in composition and production practice. I then continued my studies at the University for the Creative Arts, focusing on Composition for Screen, and I am currently studying Composition for Film and Television at the University of Bristol.

My creative work focuses on narrative-driven composition for film, television, and games. I am particularly interested in how musical themes and motifs can evolve alongside visual storytelling, helping to support structure, character, and emotional development within a scene.

My compositional process often begins with narrative or visual concepts. I develop thematic material based on story structure, which is then shaped through orchestration, texture, and sound design. I aim to create music that supports both emotional expression and dramatic pacing.

I am also interested in combining orchestral writing with experimental sound design, hybrid scoring techniques, and contemporary production methods, expanding beyond traditional orchestral approaches.

I enjoy collaborating closely with directors, editors, and creative teams, developing musical ideas through discussion, iteration, and response to visual material.

My work spans film, television, games, and media projects, with a focus on narrative composition, atmospheric scoring, and hybrid orchestral sound design.